How resonant diction and correspondence propel a poem: Part 1 in what we look for at Tupelo Press

November 16, 2011

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    In my last post I promised a discussion of the “craft annotation” and, by extension, an explanation of why the meticulous work of annotating poems is so very valuable to the further work of the writer. The value of a craft annotation derives from the way it closely examines the inner workings of a […]

Posted in: Poetry

The Night Sky in Black & White: How the Poem Listens

October 27, 2011

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Where do poems start? Where do they finish? What do they hear? The problem, as Olena Kalytiak Davis points out (or rather, as her invention, the speaker points out) in one of those astonishing poems in her Brittingham Prize-winning book, And Her Soul Out Of Nothing, is that “the brain sits right next to the […]

Posted in: Poetry